“The “in-betweens” and the “hatadaiva”: Oscillating, fantastic realities in Tashan Mehta’s The Liar’s Weave”
https://journals.sagepub.com/eprint/CUU7RRCH5MWA96UBK4YH/full
“The “in-betweens” and the “hatadaiva”: Oscillating, fantastic realities in Tashan Mehta’s The Liar’s Weave”
https://journals.sagepub.com/eprint/CUU7RRCH5MWA96UBK4YH/full
Chp entitled: ‘Traumatic Moments: Retrospective ‘Seeing’ of Violation, Rupture, and Injury in Three Post-millennial Indian Graphic Narratives’ in Documenting Trauma in Comics Davies, D., Rifkind, C. (Eds.)
‘Drawing Thoughts Together’ published today in the Journal of Graphic Novels and Comics:
https://www.tandfonline.com/eprint/QPAMBHIPKIYUY5KN8U68/full?target=10.1080/21504857.2019.1688174
Recently published, a chapter in this edited collection by Ruth Maxey and Paul McGarr entitled ‘Material Memory and the Partition of India’
South Asian Popular Culture entitled:
‘Seeing Shiva, Seeing Ram: Visual representations of deities in the genre of mythology-inspired fiction, an analysis of the book covers of Amish Tripathi’s novels’
https://www.tandfonline.com/doi/full/10.1080/14746689.2018.1510632
in Indian Genre Fiction: Pasts and Future Histories (Routledge)
Chapter entitled ‘Post-Millennial ‘Mythology-Inspired Fiction’ in English: The Market, the Genre, and the (Global) Reader’.
in Popular Postcolonialisms (Routledge)
chapter entitled: ‘Consuming Post-millennial Indian Chick Lit: Visuality and the Popular in Post-millennial India’